Staging Work - Arts Council Grants, Self Curation, Fringe Models, Pitch Meetings - How do you get your work on and support other artists to get their work on? Paraphrasing Deborah from our pitching conversation: When pitching, get to the most exciting and interesting thing as quickly as possible. Tread a strange line between confidence and openness to new ideas. What words will the venue find poisonous? Almost like suggesting clothes for friends - cool to offer something they might like but aren’t doing yet. In our student led practice that afternoon we worked on coming up with a way we could showcase each others’ work - we embraced the idea of a DIY/punk approach. Quite some time was spent on costuming before we had finalised anything else! We were envisioning an alternative cabaret with the return of Minnie and the Monotones in a new guise based on the fact that we can all sing. Bim (AKA Triple A) would research the history of our venue, hopefully The Mermaid in Clapton Pond and make a site specific response. Monty would either reprise his monologue or do his vampire song (or both). Dee would MC in platforms.
I was able to sound the venue out initially that night, but didn’t want to make a formal pitch until I knew we were all up for it.
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Viv HarrisNotes from FADS sessions Archives
January 2020
QMUL Perf Lab
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